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Raven ChaconAviarySeptember 26, 2024 – July 3, 2025

Wadada Leo SmithKosmic MusicSeptember 26, 2024 – July 3, 2025

Christine KozlovSeptember 26, 2024 – February 9, 2025

2024

Jonathan GonzálezSpectral DancesOctober 5 – 27, 2024

A group of performers cluster together in a sunny spot on a wooden floor
Wayne Arthur, Rena Anakwe, Katrina Reid, Chazz Giovanni, and Kris Lee in Jonathan González, Spectral Dances, American Academy of Arts and Letters, 2024. Photo by Maria Baranova  

In October, choreographer Jonathan González (b. 1991, New York, NY) premieres Spectral Dances in the Library, Members’ Room, hallways, and stairwells of Arts and Letters—spaces historically open only to Arts and Letters members. To make the work, González collaborated with a cast of six Black performers (Rena Anakwe, Wayne Arthur, Chazz Giovanni, Kris Lee, Lysis, and Katrina Reid). It continues his artistic exploration of the afterlives of slavery, the built environment, and Blackness as non-performance.

Spectral Dances, which refers to ghostlike dance or dance with ghosts, is an improvisational work that asks its cast to respond to unseen aspects of Arts and Letters—what González thinks of as its hauntings. Performers react to windows, doors, and gaps between bodies; they shadow one another and the audience. What is absent, excluded, and unseen finds visibility through their movements.

The performance runs for four hours and moves between spaces on the second floor of Arts and Letters. The audience may enter and exit as they please at any point during the performance.

González will be in conversation with architect Mario Gooden following the performance on Saturday, October 26, 2024. Space for the conversation is limited, please RSVP here.

Spectral Dances is organized by Kristin Poor, Curator, and supported by a grant from the MAP Fund. Additional support is provided by the Wolf Kahn Foundation and the Herb Alpert Award in the Arts. Thanks to The Kitchen for lending equipment for the performance.

RSVP for the performance.

A visual score illustrating a choreographic practice shows segments of a sepia portrait with it’s subject partially redacted; pencil handwriting of names, times, and a hop scotch path; the index of an undisclosed book (section D-E); an excerpted dialogue between characters identified as Gramsci, the First Marxist, Müller, Nietzche.
A visual score illustrating a choreographic practice depicts five images of turning pages from the same text in differing scales and opacities; the shadow of a hand hovers over one; a time signature in the top left; a white background appears as the negative space.
A visual score illustrating a choreographic practice appears as a series of horizontal lines in pixelated tones of black and gray across the page with the letter “S” and an illegible word foregrounding in a stark black tone; a time signature indicates a start and end duration.
A visual score illustrating a choreographic practice creates a relationship between two images: an anachronistic group portrait of a solitary black man in a crowd of white people and a group of children in Halloween costumes; the majority of the page is a white background; black integer lines indicate some relation between the worlds of these images through undisclosed calculations.
Three performers recline in a wood-paneled space with leather chairs and large windows; one leans onto the keyboard of a grand piano
A performer moves with arms outstretched through a wood-paneled library
A performer reclines, one foot in the air, on a desk in a wood-paneled room
Close-up view of a performer's head seen in profile against a leather chair
A performer crouches on hands and knees atop a subwoofer in a wood-paneled library
One performer's hand touches the forehead of another in a cluster of bodies in a wood-paneled room
Close-up of a performer seen in profile; their lips and chin rests on a wooden floor and their hand holds their throat
A hand and arm hold a red curtain from behind in a wood-paneled room
Jonathan González and Judd Smith, score for Spectral Dances: Becoming Architecture, 2024
Jonathan González and Judd Smith, score for Spectral Dances: Shadowing, 2024
Jonathan González and Judd Smith, score for Spectral Dances: Density of the Air, 2024
Jonathan González and Judd Smith, score for Spectral Dances: Chorus, 2024
Rena Anakwe, Chazz Giovanni, and Katrina Reid in Jonathan González, Spectral Dances, American Academy of Arts and Letters, 2024. Photo by Maria Baranova
Kris Lee in Jonathan González, Spectral Dances, American Academy of Arts and Letters, 2024. Photo by Maria Baranova
Wayne Arthur in Jonathan González, Spectral Dances, American Academy of Arts and Letters, 2024. Photo by Maria Baranova
Katrina Reid in Jonathan González, Spectral Dances, American Academy of Arts and Letters, 2024. Photo by Maria Baranova
Chazz Giovanni in Jonathan González, Spectral Dances, American Academy of Arts and Letters, 2024. Photo by Maria Baranova
Wayne Arthur in Jonathan González, Spectral Dances, American Academy of Arts and Letters, 2024. Photo by Maria Baranova
Kris Lee in Jonathan González, Spectral Dances, American Academy of Arts and Letters, 2024. Photo by Maria Baranova
Katrina Reid in Jonathan González, Spectral Dances, American Academy of Arts and Letters, 2024. Photo by Maria Baranova

2023

Aki SasamotoSquirrel WaysMarch 18 – June 7, 2023

In Residence: The Kitchen’s Dance and ProcessFebruary 10 – June 4, 2023

2022

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For prior exhibitions please write to info@artsandletters.org.

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Contact

American Academy of Arts and Letters

Audubon Terrace New York, NY 10032

Galleries Audubon Terrace Broadway between West 155 and 156 Streets New York, NY 10032

Thursday through Sunday, 12-6pm

Office 633 West 155 Street New York, NY 10032

Office open by appointment


Galleries Audubon Terrace Broadway between West 155 and 156 Streets New York, NY 10032

Thursday through Sunday, 12-6pm

Office 633 West 155 Street New York, NY 10032

Office open by appointment

(212) 368-5900
info@artsandletters.org